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British potter and ceramic sculptor fascinated by the ‘vessel’, which he used as a metaphor for imaginary terrains and travel

Gordon Baldwin was probably happiest with the term “sculptural potter” to describe himself. He disliked most definitions because they did not adequately encompass his art, one that explored broadly and complexly the potential of the “vessel”. He investigated this in lyrical big bowls and striking articulated and enclosed pieces, using the premise of containment to gauge ideas about painting and drawing on new types of form.

Baldwin, who has died aged 92, was a modernist in ceramics, but he never eschewed his traditional roots because they enabled him to evolve a highly original language. It led to some of the most convincing and liberated clay sculpture since the second world war.

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Exclusive: emissions from power-hungry warehouses at Lincolnshire facility expected to be 850,000 tonnes a year

A vast new datacentre to feed Britain’s rising demand for artificial intelligence could cause more greenhouse gas emissions than five international airports.

Elsham datacentre in Lincolnshire is on course to cost £10bn and its 15 power-hungry computer warehouses are projected to release five times the carbon dioxide of Birmingham airport, including from take-offs and landings.

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